![]() ![]() DOB,” which would later develop into a form of self-portraiture, the first of several endlessly morphing and recurring motifs seen throughout his work. He also began developing his own pop icon, “Mr. Efforts from this period include performance art (Osaka Mixer Project, 1992), parodies of the “message” art popular in Japan in the early 90s, (Dobozite Dobozite Oshamanbe, 1993), and conceptual works (e.g. Murakami was dissatisfied with the state of contemporary art in Japan, believing it to be “a deep appropriation of Western trends.” Thus, much of his early work was done in the spirit of social criticism and satire. in Nihonga, he gradually became disillusioned with its insular, highly political world and started to explore more contemporary artistic styles, media, and strategies. He attended Tokyo University of the Arts to acquire the drafting skills necessary to become an animator, but eventually majored in Nihonga, the ‘traditional’ style of Japanese painting that incorporates traditional Japanese artistic conventions, techniques and subjects. ![]() From early on, he was a fan of anime and manga (Japanese comics), and hoped to work in the animation industry. Murakami was born and raised in Tokyo, Japan. He was the founder and organizer of the biannual art fair Geisai. Murakami is the founder and President of Kaikai Kiki Co., Ltd., through which he manages several younger artists. He coined the term "superflat", which describes both the aesthetic characteristics of the Japanese artistic tradition and the nature of post-war Japanese culture and society, and is also used for Murakami’s own artistic style and that of other Japanese artists he has influenced. He works in fine arts media (such as painting and sculpture) as well as commercial media (such as fashion, merchandise, and animation) and is known for blurring the line between high and low arts. Takashi Murakami (村上 隆, Murakami Takashi, born February 1, 1962) is a Japanese contemporary artist. ![]()
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